VTMN-011 My Number One Desire. Thrashing in Kinbaku, Climaxes on Penetration — The Lover of an SM‑loving Painter Harutani Miu

About this work

The concept of the Vitamin label is: “To realize what the actress wants to do — the erotic longings she pictured, the sexual fantasies she imagined…” This time the lead is Miu Harutani. It seems she’s been erotically tormented for a long time. Her wish is clear: to be bound! To be submissive! To enjoy a Japanese-style SM play with a Dan Oniroku‑like flavor! We’ll try to fulfill that desire as much as possible in a dramatised setting… (Synopsis) Ichikawa Bokutaku, an old male painter who once dominated Japan’s ink‑painting world, has now lost his popularity and lives as a recluse. In his apartment a beautiful assistant, Miu (played by Harutani Miu), takes care of his daily needs. The two have been “lovers” for a long time. However, during Ichikawa’s peak of fame the busyness caused stress and he developed ED. His mental state also broke down, and severe distortions of his sexual tastes followed: extreme sadism. What excites him is not to soil his own hands, but to watch the woman he loves, Miu, be beautifully tormented by other men. Yet he cannot get an erection. It’s the ultimate cuckolding love. The more Miu falls into disgrace, the more satisfied he is; he believes that this enables him to produce ever greater works, and he continues to paint new pictures every day. But the world pays him no attention anymore… Miu is a single former office worker. Captivated by Ichikawa’s once‑popular ink paintings, she handed him a fan letter at an event and he contacted her immediately. They became lovers, but Ichikawa eventually asked her to leave when his mental state deteriorated. Still, Miu believes in his comeback, moved into his house, and devotes herself to him around the clock. That is because she herself craves Ichikawa’s perverted sexual tastes. “…Today too… I want you to punish me…” Miu is already spread‑eagled and bound on the bed. “Oh, what a good expression. You can’t move, can you? You can’t move no matter what is done to you.” Ichikawa flicks a brush and tickles her armpits and nipples with a brush or lather; Miu writhes involuntarily. “How cute. All right, Hatakeyama, continue. I will paint.” Miu is tormented by Hatakeyama, a disciple who admires Ichikawa. Ichikawa renders her fragile, ecstasy‑filled state in ink paintings. This is Ichikawa’s current lifestyle.